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 Bonvin: La Vie et L'Oeuvre, Paris: Editions Geoffroy-Dechaume, 1979
 The Realist Tradition. French Painting and Drawing 1830-1900, Cleveland: The Cleveland Museum of Art in cooperation with Indiana University Press, Bloomington, Indiana, 1980
 The European Realist Tradition, ed. (with contribution) Indiana University Press
The Realist Debate: A Bibliography of French Realist Painting, 1830-1885 (co-author), Garland Publishing Co.
 Art Nouveau Bing: Paris Style 1900, Harry N. Abrams & SITES
The Documented Image: Visions of Art History (co-editor & co-author), Syracuse University Press
 Stile Floreale: The Cult of Nature in Italian Design, Miami, Fl.: The Wolfsonian Foundation, 1988
The Art of The July Monarchy, France 1830-1848 (co-author), University of Missouri Press
 Japonisme: An Annotated Bibliography (co-author), Garland Publishing Co.
Japonisme Comes to America, The Graphic Arts, 1876-1925 (co-author), Harry N. Abrams
 Beyond Impressionism: The Naturalist Impulse, Harry N. Abrams
 The Independent Critic: Philippe Burty and The Visual Arts of Mid-Nineteenth Century France, Bern & New York: Peter Lang Publishing, Inc.
 The Popularization of Images, Visual Culture Under The July Monarchy (co-editor), Princeton University Press, September, 1994
 Redefining Genre. French and American Painting 1850-1900 (with an essay by Petra Ten-Doesschate Chu), Washington, D.C., The Trust for Museum Exhibitions (Distributed by University of Washington Press), 1995
 Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1890-1910 (with essays by John N. Ingham, Constance Cain Hungerford, Ruth Krueger Meyer and Madeleine Fidell Beaufort, Alison McQueen, DeCourcy E. McIntosh, and Gabriel P. Weisberg), Pittsburgh: Frick Art & Historical Center, (Distributed by University Press of New England Hanover and London), 1997
 Art Nouveau: A Research Guide for Design Reform in France, Belgium, England, and the United States, (co-author), New York & London: Garland Publishing, Inc., 1998
 Overcoming all Obstacles: The Women of the Académie Julian, (Co-editor) Rutgers University Press and the Dahesh Museum, New York, 1999
 Montmartre and the Making of Mass Culture, Editor, New Brunswick, New Jersey
and London: Rutgers University Press, 2001, 296pp.
 Against the Modern, Dagnan-Bouveret and the Transformation of the Academic Tradition, New York: Dahesh Museum of Art and New Brunswick: Rutgers University Press, 2002.
 The Origins of L'Art Nouveau, the Bing Empire, Van Gogh Museum (Amsterdam), the Musée des Arts Décoratifs (Paris), Mercatorfonds, distributed in the United States by Cornell University Press, 2004.
"The Narrative of the Fields and Streets: Nineteenth-century Rural and Urban Imagery", in Artist as Narrator. Nineteenth Century Narrative Art in England and France, Exhibition catalogue (Oklahoma City: Oklahoma City Museum of Art, 2005).
"The Urban Mirror: Contrasts in the Vision of Existence in the Modern City", in Paris and the Countryside: Modern Life in Late-19th-Century France. Exhibition catalogue (Portland, Maine: Portland Museum of Art, 2006)
"The Print Culture of Paris 1900," in Paris 1900 (Oklahoma City: Oklahoma City Museum of Art and Washington University Press, 2007)
"Twenty-First-Century Perspectives on Nineteenth-Century Art" (Newark: University of Delaware Press, 2008
"Harvey Dinnerstein: A Traditionalist for the Future," in Underground Together, The Art and Life of Harvey Dinnerstein, (San Francisco: Chronicle Books, 2008)
Expanding the Boundaries: Selected Drawings from the Yvonne & Gabriel P. Weisberg Collection, (Minneapolis Institute of Arts, 2008; distributed by The University of Washington Press)
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